December 16, 2007
December 9, 2007
December 8, 2007
Metro Flex Friday Night Raw
Stay tune I should have some picture and video coming soon..
Metro Flex Friday Night RAW
I love gear but last night the best gear was Heart and effort. If you were there let me know your thoughts on bringing Raw lifting to North Texas.
December 5, 2007
December 4, 2007
December 2, 2007
Ryan Kennelly 1036 lb benchpress
This was broken today. But still look cool to see a man lift 1036..
December 1, 2007
He Coming Back Captain America
The Star-Spangled Avenger Returns in Captain America #34, with a new costume designed by Alex Ross
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Captain America #34 cover by Alex Ross
By Ryan PenagosSteve Rogers, the Sentinel of Liberty, was cut down in a hail of gunfire in March's CAPTAIN AMERICA #25. And whether or not you agree with the decision, he's still dead. But a character as iconic and important as Cap can never truly die. Who better to reimagine Cap for a new age, a new character, a new costume, than Alex Ross? Working closely with Ed Brubaker, Steve Epting and Tom Brevoort, Captain America makes his return—or debut, if you prefer—in January's CAPTAIN AMERICA #34.So why did it take nine months to reinstate Captain America? Rest assured, it was all in the cards. "This was always the plan, to have—with issue #34, halfway through the whole big, 'Death of Captain America' epic story—[a new Cap]," explains Brubaker. "So, you know, it's all very, very planned out, believe it or not. [Laughs] I have an extensive notebook that I sometimes lose. [Laughs] Which is kind of traumatic."Luckily, Brubaker never lost sight of working with Ross, an idea that'd been percolating for a while. "Well it was my suggestion to Tom [Brevoort], like months and months ago, knowing that we were going to have a new Cap starting in January," admits Brubaker. "You know, just an off-handed suggestion, let's see if we can get Alex Ross to help design the costume, thinking there was no possible way. I think this is when I found out that they were doing [AVENGERS/INVADERS]. Tom was like, 'You know that's not exactly outside the realm of possibility,' and I was like, 'What?!' [Laughs] So as it got closer to needing something, Tom actually broached the subject and asked Alex about it. I didn't know him at all, but yeah, it was great."
New Captain America design by Alex Ross
Ross may be one of comics' artistic visionaries, but it worked out that the big man behind EARTH X, MARVELS and the upcoming AVENGERS/INVADERS series simply lined himself up with an already winning team. "Well, it's all a collaborative effort, so it's not just purely my coming in and saying this is how it's going to get done," says Ross, whose recent return to the House of Ideas is in large part due to the tireless efforts of Marvel Comics publisher Dan Buckley and Dynamite Entertainment publisher Nick Barrucci. "Steve [Epting] did some drawings as well, bouncing off of things I was throwing at them. From the first time I had got the call, I did some drawings within about a day or two. I had an idea in my head immediately of what I would want to try and it largely incorporated this influence of a dark costume that had, say, a focal element of a shield on his chest—his old 1940s shield as if it was put on his chest plate."Cap's classic shield isn't the only old school element Ross & Co. looked to when designing Cap's new appearance. "I always try and look back in the character's history to something that maybe was a forgotten costume element from a bygone age, maybe one of the earlier costume elements, to see if you could bring that part back," Ross adds, explaining that comic book Cap hasn't been their only resource. "Well, funny enough, there's this awful movie serial made in the '40s with Cap where he had no shield, no wings on his mask, no white sleeves, little tiny gloves, and he carried a gun."A gun?! Indeed! "In talking to Alex, I immediately hit it off with him," says Brubaker. "We were referencing the same eras of Captain America and I immediately saw that his initial design was referencing the '40s movie serial costume design. That was kinda like, 'Oh, this is totally cool.' [Laughs] Before we even had the first conference call, [Alex] had sent over his initial ideas as a coming-off point and so we kind of circled around those and gave input, but Alex that had most of the vision there. My comments were sort of like, 'Can we give him a gun?' [Laughs]"
Captain America #34 cover by Steve Epting
"Alex came up with a couple of ideas and we had a conference call to discuss the character and what we wanted to bring to the costume design using his sketches as a starting point," explains Epting. "Alex did some more variations throughout the next week and we all gave our input, trying to come to a consensus. The problem for me was that all of Alex's designs were very well thought out and had great visual impact. Honestly, I would [have] loved drawing any of them."With so many strong creative voices working together on the design, it's pretty spectacular how smooth the process has been. "Well, it all looks easy from the outside," says Brevoort. "There was the typical back-and-forth that there often is when redesigning a character, especially one as classic as Captain America. There were maybe a few more people involved than on average. But it helped that Ed, Steve and Alex all first started reading the books at around the same time, so there was a very basic commonality of perspective and experience when it came to the character."We were very fortunate to have Alex's involvement," Brevoort continues, "as his sense of costume design is so strong, and he's so dedicated to maintaining the classic elements of the characters he works on while not being afraid to change things up where necessary. But it did mean that there was another strong voice in the mix beyond the people we'd typically be dealing with for a design for a Captain America character."
New Captain America design by Alex Ross
So not only will someone other than Steve Rogers step into the Cap costume come January, they'll be armed with both a gun and a knife to go along with Cap's classic shield. There's no doubt fan reaction will be loud and varied."Well I think in many ways we want people to react with whatever emotions that come to mind," says Ross. "The idea that Captain America would have an offensive weapon like a gun…if it's an upset feeling, we want it to be so. We want it to feel like, 'Oh, he's got a gun now. Captain America with a gun?!' You know, it should stick in your mind that that's something. This is not your father's Captain America, so to speak. It's a more brutish interpretation, at this point, for the modern age.""I'm not worried about it that much because the costume design looks so cool I figure everybody [will] love it, but I'm sure that there'll be people who are furious about it," notes Brubaker. "You know, nobody's really complained about it, but after nine months I think people will be glad to have at least somebody running around in a Captain America costume in the book. [Laughs]"
New Captain America design by Alex Ross"As is typical when you change a classic character around," explains Brevoort, "there are going to be some who'll love it and some who'll loathe it. But it does have the advantage that this isn't Steve Rogers, so what might seem right or wrong for his Captain America won't necessarily hold true in the same way for our new guy."Epting lays it down very simply: "After 30-plus issues, I don't think anyone should doubt that Ed can make this story great."Who's in the new Cap outfit? How'd they get to that point? What's different? What stays the same? Read CAPTAIN AMERICA #34, on sale in January.
The secret of STEEL
Conan's Father: Fire and wind come from the sky, from the gods of the sky. But Crom is your god, Crom and he lives in the earth. Once, giants lived in the Earth, Conan. And in the darkness of chaos, they fooled Crom, and they took from him the enigma of steel. Crom was angered. And the Earth shook. Fire and wind struck down these giants, and they threw their bodies into the waters, but in their rage, the gods forgot the secret of steel and left it on the battlefield. We who found it are just men. Not gods. Not giants. Just men. The secret of steel has always carried with it a mystery. You must learn its riddle, Conan. You must learn its discipline. For no one - no one in this world can you trust. Not men, not women, not beasts. [Points to sword] Conan's Father: This you can trust.
Conan's Father: Fire and wind come from the sky, from the gods of the sky. But Crom is your god, Crom and he lives in the earth. Once, giants lived in the Earth, Conan. And in the darkness of chaos, they fooled Crom, and they took from him the enigma of steel. Crom was angered. And the Earth shook. Fire and wind struck down these giants, and they threw their bodies into the waters, but in their rage, the gods forgot the secret of steel and left it on the battlefield. We who found it are just men. Not gods. Not giants. Just men. The secret of steel has always carried with it a mystery. You must learn its riddle, Conan. You must learn its discipline. For no one - no one in this world can you trust. Not men, not women, not beasts. [Points to sword] Conan's Father: This you can trust.
November 30, 2007
Mike Wolfe loses 76lbs and increases his bench press!
While something like good health is a noble goal, it wasn’t the driving force behind Mike’s decision to slim down. No, like so many men before him, Mike’s ego and competitive nature provided the fuel for his fire of change. A man by the name of John Zemmin from Detroit Barbell lifted in the same meet where Mike had set his personal record. John competed in the 275 lbs weight class and pressed a tremendous 830 lbs! The fact that this man was nearly 140 lbs lighter than Mike and only pressed 5 lbs less was not lost on him. He silently wondered what this man was doing that he was not? A brief conversation with John cemented Mike’s resolve to reshape his body. In Mike’s mind, training was not the issue, he knew how to train. You can’t bench well over 800 lbs if you don’t know how to train, right? Time would answer that question, but for the moment, Mike was focused on altering his dietary habits. He started generally cleaning up his diet by dramatically reducing his intake of sweets and other “junk” foods (foods which had previously dominated his daily caloric intake).
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Mike quickly dropped a few pounds but soon found his weight loss stagnated. He decided to consult with a bodybuilder friend. This friend recommended that Mike both dramatically limit his carbohydrate intake and alter when he consumed them. Mike accomplished this by allotting his entire daily carbohydrate intake into three meals which would be consumed prior to 1 P.M. Below is a basic template of what Mike consumed daily at that time:
To read the entire article, visit here: http://www.wannabebig.com/article.php?articleid=316
James Carter 727.5 Bench at WABDL River Country
Hey did you see what this guy lefted. if so email me the clip.
James Carter 727.5 Bench at WABDL River Country
Hey did you see what this guy lefted. if so email me the clip.
November 28, 2007
November 27, 2007
Deadlift: The Forgotten Exercise
By Disa Hatfield, BS – (Courtesy of www.protraineronline.com)
The Deadlift is an integral, yet often missing component of a strength building program. That’s not to say that everyone should be performing this movement or one of its variations, but the benefits of the Deadlift for a power or strength building program are innumerable.
Muscles Worked
The Deadlift is a compound exercise targeting several muscle groups including the latissimus dorsi, trapezius, erector spinae, gluteals, hamstrings, quadriceps, and psoas (hip flexors). Your forearm muscles, which are involved in gripping the bar, are used to a lesser degree, as well as muscles involved in trunk stabilization such as your obliques.
Benefits
The Deadlift has many benefits. As a compound exercise, the movement spans three joints with extension occurring at the hip, knee, and ankle joints, thus utilizing several large muscle groups.(2) When compared to isolation exercises, compound movements that involve larger muscle groups elicit a hormonal training response that results in greater strength gains.(1) The dynamics of the lift itself may also lead to greater gains in hypertrophy. (1)
The Deadlift also has possible rehabilitation benefits. It has been hypothesized that the moderate to high hamstring activity elicited during the Deadlift may help to protect the Anterior Cruciate Ligament during rehab.(2)
The movement of the Deadlift translates well into real life as it mimics bending and lifting. Anyone who has a toddler is quite familiar with the motion of the lift already.
Biomechanics of the Sumo and Conventional Styles
There are two basic styles of a bent-leg Deadlift; sumo and conventional. The key difference between the two styles is the placement of the feet and the width of the grip. In the sumo style, the grip is medial to the feet; that is the grip is on the inside of the legs. The feet in the sumo style are at about a 45-degree angle pointing outward. This style utilizes a slightly wider stance than the conventional method.
In the conventional style, the grip is lateral to the feet (on the outside of the legs) and the feet are only slightly turned outward.
The sumo style has gained a reputation as decreasing the stress placed on the lower lumbar by as much as 10% when compared to the conventional Deadlift.(2) It also
seems to be favored among those who are leaner and have longer than average torsos. Since the sumo style requires less hip flexion and a more upright trunk position, this may benefit people of this phenotype by reducing the torque on the lower spine. We also know that the sumo style Deadlift requires much larger knee and ankle moments; more flexion of these joints is required when compared to the conventional style. (2) This implies that the quadriceps may be more active in the sumo style.
Furthermore, because of the wide stance utilized in the sumo style, this method requires less mechanical work than the conventional.(2) It is important to note however, that world records in powerlifting have been established using both styles.
Performing the Lifts
Beginning position
- feet should be flat on the floor about shoulder width apart in the conventional style, and slightly farther apart in the sumo style
- grip bar with a closed, alternate grip
- legs should be flexed as in a squat position
- bar should be as close to the shins as possible
- back posture should be straight
Upward movement
- begin pull by extending at the knees
- the hips and shoulders should move at the same rate, keeping back posture straight, with the shoulders above or slightly in front of bar
- at the end of the concentric phase, thrust hips forward and abduct lats. The hip and knee joint should be fully extended
Downward Movement
- flex hip and knee joints to slowly lower bar to the floor, ending in the squat position
Points to Remember
- your torso should be straight throughout the movement
- at no portion of the lift should your back be rounded
- keep the bar as close to the shins as possible throughout
- feet should always be flat on the floor, pushing from the heel
- exhale through the sticking point of the concentric movement and inhale through the eccentric phase
- do not jerk the movement, it should be smooth throughout
- if your knees are moving laterally from side to side, reduce the amount of weight
- because of the many muscles involved in the lift, the Deadlift may require more rest between sets than normal
Conclusion
As in all exercises, the Deadlift is not for everyone. If you are working with a client with special needs such as lower lumbar injuries or any other joint injuries, it is important to get there doctor’s or chiropractor’s release before adding this lift to their regime.
The Deadlift itself has many variations. You can use barbells for lighter weights or use a limited range of motion if the situation calls for it. There are also specialized bars that some people find more comfortable such as the Combo Bar or Trap Bar.
Because of the wide range of muscles the Deadlift targets, some people use it as a warm-up lift before their workout. In whatever form you use, the Deadlift should play an important role in your training program.
Bibliography
- Baechle, T. Essentials of Strength and Conditioning. Human Kinetics, Illinois, 1994
- Escamilla, R., et al. A three-dimensional biomechanical analysis of sumo and conventional style deadlifts. Medicine and Science in Sports and Exercise, 2000;32:1265-1275.
- Hatfield, F. Fitness: the Complete Guide. ISSA, Santa Barbara, 2000.
November 26, 2007
USPF AMERICAN CUP POWERLIFTING Feb 15-17 2008
The United States Powerlifting Federation and Powerlifting California
present the American Powerlifting Cup set for Saturday, Feb 16 at the Los Angeles Convention Center. This will be a Pro meet for Open men and women lifters only.
Cash prizes of $3000 to 3 best lifters.
$1000 to the Best heavywt (220 and up)
$1000 to the best lightwt (198 and below)
$1000 to the best female (all weight classes)
This is a full powerlifting contest for total (squat, benchpress, and deadlift). State and American records can be set here.
Qualifying totals from any USPF meet going back to January 2006 will be accepted as well as any qualifying totals from lifters competing in the USAPL, AAU, or NASA and other single ply federations:
Qualifying totals for the American Cup
Men: 114-777, 123-838, 132-934, 148-1009, 165-1102,
181-1190, 198-1257, 220-1323, 242-1367, 275-1411, 308-1441, SHW-1472
Women: 97-463, 105-496, 114-535, 123-568, 132-601,
148-661, 165-706, 181-766, 198-821, 198+-865
The Los Angeles FitExpo Benchpress and Deadlift Championship
The USPF and Powerlifting California will also present The Los Angeles FitExpo Benchpress and Deadlift Championship set for Sunday, Feb 17. This is an amateur contest with no cash awards. Medals will be awarded for 1st thru 5th place. It will be open to all men and women age 13 and up. All Divisions will be represented ie, Open, Junior, Submaster, and Master for men and women. USPF State and American records can be set here. Lifters from any federation are welcome to come lift at the Fit Expo BP/DL. No qualifying needed.
More info: http://www.thefitexpo.com/powerlifting.asp
USA Powerlifting Brings More Strength to Arnold
From arnoldclassic.com
USA Powerlifting (USAPL), America's Premiere Powerlifting Organization will present world level competition at the Arnold Sports Festival 2008.
USAPL is the only US member of the International Powerlifting Federation (IPF), and is headquartered in Columbia City, Indiana. The membership includes more than 5,500 men and women who compete with an organizational commitment to drug free performance.
The IPF is the oldest and largest international governing body for the sport of powerlifting, and is recognized by the International Olympic Committee. Founded in 1971, the IPF includes member federations from more than 100 countries.
Dr. Larry Maile, President of USA Powerlifting, recently commented "USA Powerlifting is committed to the honor and integrity of competitive powerlifting. We are thrilled to join the Arnold Sports Festival in the presentation of this sport on a fair competitive platform emphasizing honor and respect. Our international affiliation with the esteemed International Powerlifting Federation will bring added attention to the sport and the Arnold Sports Festival."
Main stage events for USAPL Powerlifting at the 2008 Arnold Sports Festival include the invitational International Pro Deadlift for men and women, the International Pro Bench Press for men, women, and team categories, the Quest American Pro Invitational, and the Unequipped Competition with belt, wrist, and knee wraps allowed.
Complete Information is available at the USAPL Web site.
Arnold Classic Deadlift Schedule
March 1, 2008, 3:00 p.m. to 6:00 p.m.,
Arnold EXPO stage Scoring in two categories: Men/Women:
Absolute Weight Overall: Wilks Formula (Men/Women)
Divisions:
Men: One weight class of 12 (6-8 USAPL/4-6 IPF)
Women: One weight class of 6 (3 USAPL/3 IPF)
Selection: All athletes by invitation only.
Selected from the past two years of the following meets: Any USAPL Nationals - Any IPF Competition Men̢۪s Competitor
Criteria: Minimum 320 KG Deadlift and Minimum 200 Wilks Score Women̢۪s Competitor Criteria: Minimum 200 Wilks Score
November 25, 2007
Joey Smith at Iron Country Bench Press 8 Wheels
November 24, 2007
Find your Max!
From the great folks at www.CriticalBench.com, this chart is a huge help. Here’s how CB says to use it:
Find Your One Rep Max Maximum Lift Reference Table
The following is a chart that can be used to determine your projected maximum without performing a 1 repetition max. Some athletes "get psyched" for a maximum lift, while others get psyched out by the number 300,350, or 400. But as a rule, the chart gives a good indication of what an athlete is capable of for a single lift.
Example: The first column all the way to the left is the weight that you are using. So let's say you use 135 lbs. If you can bench 135 lbs for 8 reps than your estimated one rep max is 167 lbs. So just slide your finger across the page and line it up with the number of times you can lift the weight. Yes you can use this chart for other lifts such as the squat as well.
| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
135 | 143 | 147 | 151 | 156 | 159 | 163 | 167 | 171 | 176 |
145 | 154 | 158 | 162 | 167 | 171 | 175 | 180 | 184 | 189 |
155 | 164 | 169 | 174 | 183 | 188 | 192 | 197 | 202 | 207 |
165 | 175 | 180 | 185 | 190 | 195 | 200 | 205 | 210 | 215 |
175 | 186 | 191 | 196 | 201 | 207 | 212 | 217 | 222 | 228 |
185 | 196 | 202 | 207 | 213 | 218 | 224 | 229 | 235 | 241 |
195 | 207 | 213 | 218 | 224 | 230 | 236 | 242 | 248 | 254 |
205 | 217 | 223 | 230 | 236 | 242 | 248 | 254 | 260 | 267 |
215 | 228 | 234 | 241 | 247 | 254 | 260 | 267 | 273 | 280 |
225 | 239 | 245 | 252 | 259 | 266 | 272 | 279 | 286 | 293 |
235 | 249 | 256 | 263 | 270 | 277 | 284 | 291 | 298 | 306 |
245 | 260 | 267 | 274 | 282 | 289 | 296 | 304 | 311 | 319 |
255 | 270 | 278 | 286 | 293 | 301 | 308 | 316 | 324 | 332 |
265 | 281 | 289 | 297 | 305 | 313 | 321 | 329 | 337 | 345 |
275 | 292 | 300 | 308 | 316 | 325 | 333 | 341 | 349 | 358 |
285 | 302 | 311 | 319 | 328 | 336 | 345 | 353 | 362 | 371 |
295 | 313 | 322 | 330 | 339 | 348 | 357 | 366 | 374 | 384 |
305 | 323 | 332 | 342 | 351 | 360 | 369 | 378 | 387 | 397 |
315 | 334 | 343 | 353 | 362 | 372 | 381 | 391 | 400 | 410 |
325 | 345 | 354 | 364 | 373 | 384 | 393 | 403 | 413 | 423 |
335 | 355 | 365 | 375 | 385 | 395 | 405 | 415 | 425 | 436 |
345 | 366 | 376 | 386 | 397 | 407 | 417 | 428 | 438 | 449 |
355 | 376 | 387 | 398 | 408 | 419 | 430 | 440 | 451 | 462 |
365 | 387 | 398 | 409 | 420 | 431 | 442 | 453 | 464 | 478 |
375 | 398 | 409 | 420 | 431 | 443 | 454 | 465 | 476 | 488 |
385 | 408 | 420 | 431 | 443 | 454 | 466 | 477 | 489 | 501 |
395 | 419 | 431 | 442 | 454 | 466 | 478 | 490 | 502 | 514 |
405 | 429 | 441 | 454 | 466 | 478 | 490 | 502 | 514 | 527 |
415 | 440 | 452 | 465 | 477 | 490 | 502 | 514 | 527 | 539 |
425 | 450 | 463 | 476 | 489 | 501 | 514 | 527 | 540 | 552 |
435 | 461 | 474 | 487 | 500 | 513 | 526 | 539 | 552 | 565 |
445 | 471 | 485 | 498 | 511 | 525 | 538 | 551 | 565 | 578 |
455 | 482 | 496 | 510 | 523 | 537 | 550 | 564 | 577 | 591 |
460 | 476 | 497 | 513 | 529 | 543 | 561 | 577 | 593 | 610 |
465 | 481 | 502 | 518 | 535 | 549 | 567 | 584 | 600 | 616 |
470 | 486 | 508 | 524 | 541 | 555 | 573 | 590 | 606 | 623 |
475 | 492 | 513 | 530 | 546 | 561 | 580 | 596 | 613 | 629 |
480 | 497 | 518 | 535 | 552 | 566 | 586 | 602 | 619 | 636 |
485 | 502 | 524 | 541 | 558 | 572 | 592 | 609 | 626 | 643 |
490 | 507 | 529 | 546 | 564 | 578 | 598 | 615 | 632 | 649 |
495 | 512 | 535 | 552 | 569 | 584 | 604 | 621 | 639 | 656 |
500 | 518 | 540 | 558 | 575 | 590 | 610 | 628 | 645 | 663 |
505 | 523 | 545 | 563 | 581 | 596 | 616 | 634 | 651 | 669 |
510 | 528 | 551 | 569 | 587 | 602 | 622 | 640 | 658 | 676 |
515 | 533 | 556 | 574 | 592 | 608 | 628 | 646 | 664 | 682 |
520 | 538 | 562 | 580 | 598 | 614 | 634 | 653 | 671 | 689 |
525 | 543 | 567 | 585 | 604 | 620 | 641 | 659 | 677 | 696 |
530 | 549 | 572 | 591 | 610 | 625 | 647 | 665 | 684 | 702 |
535 | 554 | 578 | 597 | 615 | 631 | 653 | 671 | 690 | 709 |
540 | 559 | 583 | 602 | 621 | 637 | 659 | 678 | 697 | 716 |
545 | 564 | 589 | 608 | 627 | 643 | 665 | 684 | 703 | 722 |
550 | 569 | 594 | 613 | 633 | 649 | 671 | 690 | 710 | 729 |
555 | 574 | 599 | 619 | 638 | 655 | 677 | 697 | 716 | 735 |
560 | 580 | 605 | 624 | 644 | 661 | 683 | 703 | 722 | 742 |
565 | 585 | 610 | 630 | 650 | 667 | 689 | 709 | 729 | 749 |
570 | 590 | 616 | 636 | 656 | 673 | 695 | 715 | 735 | 755 |
575 | 595 | 621 | 641 | 661 | 679 | 702 | 722 | 742 | 762 |
580 | 600 | 626 | 647 | 667 | 684 | 708 | 728 | 748 | 769 |
585 | 605 | 632 | 652 | 673 | 690 | 714 | 734 | 755 | 775 |
590 | 611 | 637 | 658 | 679 | 696 | 720 | 740 | 761 | 782 |
595 | 616 | 643 | 663 | 684 | 702 | 726 | 747 | 768 | 788 |
600 | 621 | 648 | 669 | 690 | 708 | 732 | 753 | 774 | 795 |
605 | 626 | 653 | 675 | 696 | 714 | 738 | 759 | 780 | 802 |
610 | 631 | 659 | 680 | 702 | 720 | 744 | 766 | 787 | 808 |
615 | 637 | 664 | 686 | 707 | 726 | 750 | 772 | 793 | 815 |
620 | 642 | 670 | 691 | 713 | 732 | 756 | 778 | 800 | 822 |
625 | 647 | 675 | 697 | 719 | 738 | 763 | 784 | 806 | 828 |
630 | 652 | 680 | 702 | 725 | 743 | 769 | 791 | 813 | 835 |
635 | 657 | 686 | 708 | 730 | 749 | 775 | 797 | 819 | 841 |
640 | 662 | 691 | 714 | 736 | 755 | 781 | 803 | 826 | 848 |
645 | 668 | 697 | 719 | 742 | 761 | 787 | 809 | 832 | 855 |
650 | 673 | 702 | 725 | 748 | 767 | 793 | 816 | 839 | 861 |
655 | 678 | 707 | 730 | 753 | 773 | 799 | 822 | 845 | 868 |
660 | 683 | 713 | 736 | 759 | 779 | 805 | 828 | 851 | 875 |
665 | 688 | 718 | 741 | 765 | 785 | 811 | 835 | 858 | 881 |
670 | 693 | 724 | 747 | 771 | 791 | 817 | 841 | 864 | 888 |
675 | 699 | 729 | 753 | 776 | 797 | 824 | 847 | 871 | 894 |
680 | 704 | 734 | 758 | 782 | 802 | 830 | 853 | 877 | 901 |
685 | 709 | 740 | 764 | 788 | 808 | 836 | 860 | 884 | 908 |
690 | 714 | 745 | 769 | 794 | 814 | 842 | 866 | 890 | 914 |
695 | 719 | 751 | 775 | 799 | 820 | 848 | 872 | 897 | 921 |
700 | 725 | 756 | 781 | 805 | 826 | 854 | 879 | 903 | 928 |
705 | 730 | 761 | 786 | 811 | 832 | 860 | 885 | 909 | 934 |
710 | 735 | 767 | 792 | 817 | 838 | 866 | 891 | 916 | 941 |
715 | 740 | 772 | 797 | 822 | 844 | 872 | 897 | 922 | 947 |
720 | 745 | 778 | 803 | 828 | 850 | 878 | 904 | 929 | 954 |
725 | 750 | 783 | 808 | 834 | 856 | 885 | 910 | 935 | 961 |
730 | 756 | 788 | 814 | 840 | 861 | 891 | 916 | 942 | 967 |
735 | 761 | 794 | 820 | 845 | 867 | 897 | 922 | 948 | 974 |
740 | 766 | 799 | 825 | 851 | 873 | 903 | 929 | 955 | 981 |
745 | 771 | 805 | 831 | 857 | 879 | 909 | 935 | 961 | 987 |
750 | 776 | 810 | 836 | 863 | 885 | 915 | 941 | 968 | 994 |